I Sing the Body Electric Page 9

  Charlie broke his stare. He walked slowly on through his town as the clock over the Oddfellows Lodge struck the quarter hour and moved on toward ten and still he walked and was amazed and then not amazed anymore to see how every shop was still open long after hours and in every door stood a man or woman transfixed even as he and his Indian brave had been transfixed by a talked-about and dreadful future suddenly become Here Now Tonight.

  Fred Ferguson, the taxidermist, kin to the family of wild owls and panicked deer which stayed on forever in his window, spoke to the night air as Charlie passed: "Hard to believe, ain't it?"

  He wished no answer, for he went on, immediately: "Keep thinking: just can't be. Tomorrow, the highway dead and us dead with it."

  "Oh, it won't be that bad," said Charlie.

  Ferguson gave him a shocked look. "Wait. Ain't you the one hollered two years ago, wanted to bomb the legislature, shoot the road contractors, steal the concrete mixers and earth-movers when they started the new highway three hundred yards west of here? What you mean, it won't be bad? It will, and you know it!"

  "I know," said Charlie Moore, at last.

  Ferguson brooded on the near distance.

  "Three hundred little bitty yards. Not much, eh? But seeing as how our town is only a hundred yards wide, that puts us, give or take, about two hundred yards from the new superroad. Two hundred yards from people who need nuts, bolts, or house-paint. Two hundred from jokers who barrel down from the mountains with deer or fresh shot alley-cats of all sorts and need the services of the only A-l taxidermist on the Coast. Two hundred yards from ladies who need aspirin--" He eyed the drugstore. "Haircuts." He watched the red-striped pole spin in its glass case down the street. "Strawberry sodas." He nodded at the malt shop. "You name it."

  They named it all in silence, sliding their gaze along the stores, the shops, the arcades.

  "Maybe it's not too late."

  "Late, Charlie? Hell. Cement's mixed and poured and set. Come dawn they yank the roadblocks both ends of the new road. Governor might cut a ribbon from the first car. Then ... people might remember Oak Lane the first week, sure. The second week not so much. A month from now? We'll be a smear of old paint on their right running north, on their left running south, burning rubber. There's Oak Lane! Remember? Ghost town. Oops! It's gone."

  Charlie let his heart beat two or three times.

  "Fred ... what you going to do?"

  "Stay on awhile. Stuff a few birds the local boys bring in. Then crank the old Tin Lizzie and drive that new superfreeway myself going nowhere, anywhere, and so long to you, Charlie Moore."

  "Night, Fred. Hope you sleep."

  "What, and miss welcoming in the New Year, middle of July...?"

  Charlie walked and that voice faded behind and he came to the barbershop where three men, laid out, were being strenuously barbered behind plate glass. The highway traffic slid over them in bright reflections. They looked like they were drowning under a stream of huge fireflies.

  Charlie stepped in. Everyone glanced up.

  "Anyone got any ideas?"

  "Progress, Charlie," said Frank Mariano, combing and cutting, "is an idea can't be stopped with no other idea. Let's yank up the whole damn town, lock, stock, and tar barrel, carry it over, nail it down by that new road."

  "We figured the cost last year. Four dozen stores at three thousand dollars average to haul them just three hundred yards west."

  "So ends that master plan," muttered someone under a hot-steam towel, buried in inescapable fact.

  "One good hurricane would do the job, carriage-free."

  They all laughed quietly.

  "We should all celebrate tonight," said the man under the hot towel. He sat up, revealing himself as Hank Summers, the groceryman. "Snort a few stiff drinks and wonder where the hell we'll all be this time next year."

  "We didn't fight hard enough," said Charlie. "When it started, we didn't pitch in."

  "Hell." Frank snipped a hair out of the inside of a fairly large car. "When times move, not a day passes someone's not hurt. This month, this year, it's our turn. Next time we want something, someone else gets stepped on, all in the name of Get Up and Go. Look, Charlie, go form a vigilantes. Mine that new road. But watch out. Just crossing the lanes to place the bomb, you're sure to be run down by a manure truck bound for Salinas."

  More laughter, which faded quickly.

  "Look," said Hank Summers, and everybody looked. He spoke to his own fly-specked image in the ancient mirror as if trying to sell his twin on a shared logic. "We lived here thirty years now, you, me, all of us. Won't kill us to move on. Good God, we're all root and a yard wide. Graduation. School of hard knocks is throwing us out the door with no never-mind's and no thank-you's. I'm ready. Charlie, are you?"

  "Me, now," said Frank Mariano. "Monday morning six a.m. I load my barbership in a trailer and shoot off after those customers, ninety miles an hour!"

  There was a laugh sounded like the very last one of the day, so Charlie turned with one superb and mindless drift and was back on the street.

  And still the shops stayed open, the lights stayed on, the doors stood wide, as if each owner was reluctant to go home, so long as that river out there was flowing and there was the great motion and glint and sound of people and metal and light in a tide they had grown so accustomed to it was hard to believe the river bottom would ever know a dry season.

  Charlie lingered on, straying from shop to shop, sipping a chocolate Coke at the malted-milk counter, buying some stationery he couldn't use from the drugstore under the soft fluttering wood fan that whispered to itself in the ceiling. He loitered like a common criminal, thieving sights. He paused in alleys where, Saturday afternoons, gypsy tie salesmen or kitchenware spielers laid out their suitcase worlds to con the pedestrians. Then, at last he reached the gas station where Pete Britz, deep in the oil pit, was mending the dumb brute underside of a dead and uncomplaining 1947 Ford.

  At ten o'clock, as if by some secret but mutual consent, all the shops went dark, all the people walked home, Charlie Moore among them.

  He caught up with Hank Summers, whose face was still shining pink from the shave he hadn't needed. They ambled in silence for a time past houses where it seemed the whole population was sitting out smoking or knitting, rocking in chairs or fanning themselves against a nonexistent hot spell.

  Hank laughed suddenly at some private thought. A few paces on, he decided to make it public:

  "Yes, we'll gather at the River.

  River, River.

  Yes, we'll gather at the River That flows by the Throne of God."

  He half-sang it and Charlie nodded.

  "First Baptist Church, when I was twelve."

  "The Lord giveth and the Highway Commissioner taketh away," said Hank, drily. "Funny. Never thought how much a town is people. Doing things, that is. Under the hot towel back there, thought: what's this place to me? Shaved. I had the answer. Russ Newell banging a carburetor at the Night Owl Garage? Yep. Allie Mae Simpson..."

  He swallowed his voice in embarrassment.

  Allie Mae Simpson ... Charlie took up the count in his own mind ... Allie Mae fixing wet curlicues in old ladies' hair in the bay window of her Vogue Salon ... Doc Knight stacking pill bottles in the drug emporium cases ... hardware store laid out in the hot noon sun, Clint Simpson middle of it all, running his hands over, sorting out the million blinks and shines of brass and silver and gold, all the nails, hinges, knobs, all the saws, hammers, and snaked up copper wire and stacks of aluminum foil like the junk shaken free of a thousand boys' pockets in a thousand summers past ... and then...

  ...then there was his own place, warm dark, brown, comfortable, musky as the den of a tobacco smoking bear ... thick with the humidor smells of whole families of odd-sized cigars, imported cigarettes, snuffs just waiting to be exploded on the air...

  Take all that away, thought Charlie, you got nothing. Buildings, sure. Anyone can raise a frame, paint a sign to say what might go on insi
de. But it was people that made the damn thing get.

  Hank surfaced in his own long thoughts.

  "Guess right now I'm sad. Want to send everyone back to open their shops so I can see what they were up to. Why wasn't I looking closer, all these years? Hell, hell. What's got into you. Hank Summers. There's another Oak Lane on up the line or down the line and people there busy as they are here. Wherever I land, next time I'll look close, swear to God. Good-bye, Charlie."

  "To hell with good-bye."

  "All right, then, good night."

  And Hank was gone and Charlie was home and Clara was waiting at the screen door with a glass of ice water.

  "Sit out awhile?"

  "Like everyone else? Why not?"

  They sat in the dark on the porch in the chain-hung wooden swing and watched the highway flush and drain, flush and drain with arrivals of headlight and departures of angry red fire like the coals from an immense brazier scattered to the fields.

  Charlie drank the water slowly and. drinking, thought: In the old days you couldn't see the roads die. You felt them gradually fade, yes, lying in bed nights, maybe your mind got hold of some hint, some nudge or commotion that warned you it was sinking away. But it look years and years for any one road to give up its dusty ghost and another to stir alive. That's how things were, slow arriving and slow passing away. That's how things had always been.

  But no more. Now, in a matter of hours.

  He paused.

  He touched in upon himself to find a new thing.

  "Good," said his wife.

  They rocked awhile, two halves of a similar content.

  "My God, I was stirred up there for awhile."

  "I remember," she said.

  "But now I figure, well..." he drifted his voice, mostly to himself. "Millions of cars come through every year. Like it or not, the road's just not big enough, we're holding up the world, that old road there and this old town. The world says it's got to move. So now, on that new road, not one but two million will pass just a shotgun blast away, going where they got to go to get things done they say are important, doesn't matter if they're important or not, folks think they are, and thinking makes the game. If we'd really seen it coming, thought in on it from every side, we'd have taken a steam-driven sledge and just mashed the town flat and said. 'Drive through!' instead of making them lay the damn road over in that next clover patch. This way, the town dies hard, strangled on a piece of butcher string instead of being dropped off a cliff. Well, well." He lit his pipe and blew great clouds of smoke in which to poke for past mistakes and present revelations. "Us being human, I guess we couldn't have done but as we did..."

  They heard the drugstore clock strike eleven and the Oddfellows Hall clock chime eleven thirty, and at twelve they lay in bed in the dark, each with a ceilingful of thoughts above them.

  "Graduation."

  "What?"

  "Frank the barber said it and had it right. This whole week feels like the last days of school, years ago. I remember how I felt, how I was afraid, ready to cry, and how I promised myself to live every last moment right up to the time the diploma was in my hand, for God only knew what tomorrow might bring. Unemployment. Depression. War. And then the day arrived, tomorrow did get around to finally coming, and I found myself still alive, by God, and I was still all in one piece and things were starting over, more of the same, and hell, everything turned out okay. So this is another graduation all right. Frank said, and I'm the last to doubt."

  "Listen," said his wife much later. "Listen."

  In the night, the river came through the town, the river of metal quiet now but still coming and going with its ancient smells of tidelands and dark seas of oil. Its glimmer, on the ceiling above their graveyard bed, had the shine of small craft gliding upstream and down as their eyelids slowly, slowly shut and their breathing took on the regular sound of the motion of those tides ... and then they slept.

  In the first light of dawn, half the bed lay empty.

  Clara sat up, almost afraid.

  It was not like Charlie to be gone so early.

  Then, another thing frightened her. She sat listening, not certain what had suddenly made her tremble, but before she had a chance to find out why, she heard footsteps.

  They came from a long distance away and it was quite awhile before they came up the walk and up the steps and into the house. Then, silence. She heard Charlie just standing there in the parlor for a long moment, so she called out: "Charlie? Where you been?"

  He came into the room in the faint light of dawn and sat on the bed beside her, thinking about where he had been and what he had done.

  "Walked a mile up the coast and back. All the way to those wood barricades where the new highway starts. Figured it was the least I could do, be part of the whole darn thing."

  "The new road's open...?"

  "Open and doing business. Can't you tell?"

  "Yes." She rose slowly up in bed, tilting her head, closing her eyes for a moment, listening. "So that's it? That's what bothered me. The old road. It's really dead."

  They listened to the silence outside the house, the old road gone empty and dry and hollow as a river bottom in a strange season of summers that would never stop, that would go on forever. The stream had indeed moved and changed its course, its banks, its bed, during the night. Now all you could hear were the trees in the blowing wind outside the house and the birds beginning to sing their arousal choirs in the time just before the sun really made it over the hills.

  "Be real quiet."

  They listened again.

  And there, far away, some two hundred fifty or three hundred yards off across a meadow field, nearer the sea, they heard the old, the familiar, but the diminished sound of their river taking its new course, moving and flowing--it would never cease--through lengths of sprawling land away north and then on south through the hushed light. And beyond it, the sound of real water, the sea which might almost have drawn the river to come down along the shore...

  Charlie Moore and his wife sat not moving for a moment longer, with that dim sound of the river across the fields moving and moving on.

  "Fred Ferguson was there before dawn," said Charlie in a voice that already remembered the Past. "Crowd of people. Highway officials and all. Everyone pitched in. Fred, why he just walked over and grabbed hold of one end. I look the other. We moved one of those wood barricades, together. Then we stood back ... and let the cars through."

  The Cold Wind and the Warm

  Good God in heaven, what's that?"

  "What's what?"

  "Are you blind, man, look!"

  And Garrity, elevator operator, looked out to see what the hall porter was staring at.

  And in out of the Dublin morn, sweeping through the front doors of the Royal Hibernian Hotel, along the entryway and to the registry was a tall willowy man of some forty years followed by five short willowy youths of some twenty years, a burst of bird song, their hands flapping all about on the air as they passed, their eyes squinching, batting, and flickering, their mouths pursed, their brows enlightened and then dark, their color flushed and then pale, or was it both?, their voices now flawless piccolo, now flute, now melodious oboe but always tuneful. Carrying six monologues, all sprayed forth upon each other at once, in a veritable cloud of self-commiseration, peeping and twitting the discouragements of travel and the ardors of weather, the corps de ballet as it were flew, cascaded, flowed eloquently in a greater bloom of cologne by astonished hall porter and transfixed elevator man. They collided deliciously to a halt at the desk where the manager glanced up to be swarmed over by their music. His eyes made nice round o's with no centers in them.

  "What," whispered Garrity, "was that?"

  "You may well ask," said the porter.

  At which point the elevator lights flashed and the buzzer buzzed. Garrity had to tear his eyes off the summery crowd and heft himself skyward.

  "We," said the tall slender man with a touch of gray at the temples, "should
like a room, please."

  The manager remembered where he was and heard himself say, "Do you have reservations, sir?"

  "Dear me, no," said the older man as the others giggled. "We flew in unexpectedly from Taormina," the tall man with the chiseled features and the moist flower mouth continued. "We were getting so awfully bored, after a long summer, and someone said. Let's have a complete change, let's do something wild. What? I said. Well, where's the most improbable place in the world? Let's name it and go there. Somebody said the North Pole, but that was silly. Then I cried, Ireland! Everyone fell down. When the pandemonium ceased we just scrambled for the airport. Now sunshine and Sicilian shorelines are like yesterday's lime sherbet to us, all melted to nothing. And here we are to do ... something mysterious!"

  "Mysterious?" asked the manager.

  "We don't know what it is," said the tall man. "But we shall know it when we see it, or it happens, or perhaps we shall have to make it happen, right, cohorts?"

  The cohorts responded with something vaguely like tee-hee.

  "Perhaps." said the manager, with good grace, "if you gave me some idea what you're looking for in Ireland, I could point out--"

  "Goodness, no," said the tall man. "We shall just plummet forth with our intuitions scarved about our necks, taking the wind as 'twere and see what we shall tune in on. When we solve the mystery and find what we came to find, you will know of our discovery by the ululations and cries of awe and wonder emanating from our small tourist group."

  "You can say that again," said the hall porter, under his breath.

  "Well, comrades, let us sign in."

  The leader of the encampment reached for a scratchy hotel pen, found it filthy, and flourished forth his own absolutely pure 14-carat solid gold pen with which in an obscure but rather pretty cerise calligraphy he inscribed the name DAVID followed by SNELL followed by dash and ending with ORKNEY. Beneath, he added "and friends."

  The manager watched the pen, fascinated, and once more recalled his position in all this. "But, sir, I haven't said if we have space--"