A Sound of Thunder and Other Stories Page 7

  “No,” said the startled Mandarin.

  “Tell my stonemasons,” said the whisper that was a falling drop of rain, “to build our walls in the shape of a shining lake.”

  The Mandarin said this aloud, his heart warmed.

  “And with this lake of water,” said the whisper and the old man, “we will quench the fire and put it out forever!”

  The city turned out in joy to learn that once again they had been saved by the magnificent Emperor of ideas. They ran to the walls and built them nearer to this new vision, singing, not as loudly as before, of course, for they were tired, and not as quickly, for since it had taken a month to build the wall the first time, they had had to neglect business and crops and therefore were somewhat weaker and poorer.

  There then followed a succession of horrible and wonderful days, one in another like a nest of frightening boxes.

  “Oh, Emperor,” cried the messenger, “Kwan-Si has rebuilt their walls to resemble a mouth with which to drink all our lake!”

  “Then,” said the Emperor, standing very close to his silken screen, “build our walls like a needle to sew up that mouth!”

  “Emperor!” screamed the messenger. “They make their walls like a sword to break your needle!”

  The Emperor held, trembling, to the silken screen. “Then shift the stones to form a scabbard to sheathe that sword!”

  “Mercy,” wept the messenger the following morn, “they have worked all night and shaped the walls like lightning which will explode and destroy that sheath!”

  Sickness spread in the city like a pack of evil dogs. Shops closed. The population, working now steadily for endless months upon the changing of the walls, resembled Death himself, clattering his white bones like musical instruments in the wind. Funerals began to appear in the streets, though it was the middle of summer, a time when all should be tending and harvesting. The Mandarin fell so ill that he had his bed drawn up by the silken screen and there he lay, miserably giving his architectural orders. The voice behind the screen was weak now, too, and faint, like the wind in the eaves.

  “Kwan-Si is an eagle. Then our walls must be a net for that eagle. They are a sun to burn our net. Then we build a moon to eclipse their sun!”

  Like a rusted machine, the city ground to a halt.

  At last the whisper behind the screen cried out:

  “In the name of the gods, send for Kwan-Si!”

  Upon the last day of summer the Mandarin Kwan-Si, very ill and withered away, was carried into our Mandarin’s courtroom by four starving footmen. The two mandarins were propped up, facing each other. Their breaths fluttered like winter winds in their mouths. A voice said:

  “Let us put an end to this.”

  The old men nodded.

  “This cannot go on,” said the faint voice. “Our people do nothing but rebuild our cities to a different shape every day, every hour. They have no time to hunt, to fish, to love, to be good to their ancestors and their ancestors’ children.”

  “This I admit,” said the mandarins of the towns of the Cage, the Moon, the Spear, the Fire, the Sword and this, that, and other things.

  “Carry us into the sunlight,” said the voice.

  The old men were borne out under the sun and up a little hill. In the late summer breeze a few very thin children were flying dragon kites in all the colors of the sun, and frogs and grass, the color of the sea and the color of coins and wheat.

  The first Mandarin’s daughter stood by his bed.

  “See,” she said.

  “Those are nothing but kites,” said the two old men.

  “But what is a kite on the ground?” she said. “It is nothing. What does it need to sustain it and make it beautiful and truly spiritual?”

  “The wind, of course!” said the others.

  “And what do the sky and the wind need to make them beautiful?”

  “A kite, of course—many kites, to break the monotony, the sameness of the sky. Colored kites, flying!”

  “So,” said the Mandarin’s daughter. “You, Kwan-Si, will make a last rebuilding of your town to resemble nothing more nor less than the wind. And we shall build like a golden kite. The wind will beautify the kite and carry it to wondrous heights. And the kite will break the sameness of the wind’s existence and give it purpose and meaning. One without the other is nothing. Together, all will be beauty and co-operation and a long and enduring life.”

  Whereupon the two mandarins were so overjoyed that they took their first nourishment in days, momentarily were given strength, embraced, and lavished praise upon each other, called the Mandarin’s daughter a boy, a man, a stone pillar, a warrior, and a true and unforgettable son. Almost immediately they parted and hurried to their towns, calling out and singing, weakly but happily.

  And so, in time, the towns became the Town of the Golden Kite and the Town of the Silver Wind. And harvestings were harvested and business tended again, and the flesh returned, and disease ran off like a frightened jackal. And on every night of the year the inhabitants in the Town of the Kite could hear the good clear wind sustaining them. And those in the Town of the Wind could hear the kite singing, whispering, rising, and beautifying them.

  “So be it,” said the Mandarin in front of his silken screen.

  I See You Never

  The soft knock came at the kitchen door, and when Mrs. O’Brian opened it, there on the back porch were her best tenant, Mr. Ramirez, and two police officers, one on each side of him. Mr. Ramirez just stood there, walled in and small.

  “Why, Mr. Ramirez!” said Mrs. O’Brian.

  Mr. Ramirez was overcome. He did not seem to have words to explain.

  He had arrived at Mrs. O’Brian’s rooming house more than two years earlier and had lived there ever since. He had come by bus from Mexico City to San Diego and had then gone up to Los Angeles. There he had found the clean little room, with glossy blue linoleum, and pictures and calendars on the flowered walls, and Mrs. O’Brian as the strict but kindly landlady. During the war he had worked at the airplane factory and made parts for the planes that flew off somewhere, and even now, after the war, he still held his job. From the first he had made big money. He saved some of it, and he got drunk only once a week—a privilege that, to Mrs. O’Brian’s way of thinking, every good workingman deserved, unquestioned and unreprimanded.

  Inside Mrs. O’Brian’s kitchen, pies were baking in the oven. Soon the pies would come out with complexions like Mr. Ramirez’—brown and shiny and crisp, with slits in them for the air almost like the slits of Mr. Ramirez’ dark eyes. The kitchen smelled good. The policemen leaned forward, lured by the odor. Mr. Ramirez gazed at his feet as if they had carried him into all this trouble.

  “What happened, Mr. Ramirez?” asked Mrs. O’Brian.

  Behind Mrs. O’Brian, as he lifted his eyes, Mr. Ramirez saw the long table laid with clean white linen and set with a platter, cool, shining glasses, a water pitcher with ice cubes floating inside it, a bowl of fresh potato salad and one of bananas and oranges, cubed and sugared. At this table sat Mrs. O’Brian’s children—her three grown sons, eating and conversing, and her two younger daughters, who were staring at the policemen as they ate.

  “I have been here thirty months,” said Mr. Ramirez quietly, looking at Mrs. O’Brian’s plump hands.

  “That’s six months too long,” said one policeman. “He only had a temporary visa. We’ve just got around to looking for him.”

  Soon after Mr. Ramirez had arrived he bought a radio for his little room; evenings, he turned it up very loud and enjoyed it. And he had bought a wristwatch and enjoyed that too. And on many nights he had walked silent streets and seen the bright clothes in the windows and bought some of them, and he had seen the jewels and bought some of them for his few lady friends. And he had gone to picture shows five nights a week for a while. Then, also, he had ridden the streetcars—all night some nights—smelling the electricity, his dark eyes moving over the advertisements, feeling the wheels rumble u
nder him, watching the little sleeping houses and big hotels slip by. Besides that, he had gone to large restaurants, where he had eaten many-course dinners, and to the opera and the theater. And he had bought a car, which later, when he forgot to pay for it, the dealer had driven off angrily from in front of the rooming house.

  “So here I am,” said Mr. Ramirez now, “to tell you I must give up my room, Mrs. O’Brian. I come to get my baggage and clothes and go with these men.”

  “Back to Mexico?”

  “Yes. To Lagos. That is a little town north of Mexico City.”

  “I’m sorry, Mr. Ramirez.”

  “I’m packed,” said Mr. Ramirez hoarsely, blinking his dark eyes rapidly and moving his hands helplessly before him. The policemen did not touch him. There was no necessity for that.

  “Here is the key, Mrs. O’Brian,” Mr. Ramirez said. “I have my bag already.”

  Mrs. O’Brian, for the first time, noticed a suitcase standing behind him on the porch.

  Mr. Ramirez looked in again at the huge kitchen, at the bright silver cutlery and the young people eating and the shining waxed floor. He turned and looked for a long moment at the apartment house next door, rising up three stories, high and beautiful. He looked at the balconies and fire escapes and back-porch stairs, at the lines of laundry snapping in the wind.

  “You’ve been a good tenant,” said Mrs. O’Brian.

  “Thank you, thank you, Mrs. O’Brian,” he said softly. He closed his eyes.

  Mrs. O’Brian stood holding the door half open. One of her sons, behind her, said that her dinner was getting cold, but she shook her head at him and turned back to Mr. Ramirez. She remembered a visit she had once made to some Mexican border towns—the hot days, the endless crickets leaping and falling or lying dead and brittle like the small cigars in the shop windows, and the canals taking river water out to the farms, the dirt roads, the scorched scape. She remembered the silent towns, the warm beer, the hot, thick foods each day. She remembered the slow, dragging horses and the parched jack rabbits on the road. She remembered the iron mountains and the dusty valleys and the ocean beaches that spread hundreds of miles with no sound but the waves—no cars, no buildings, nothing.

  “I’m sure sorry, Mr. Ramirez,” she said.

  “I don’t want to go back, Mrs. O’Brian,” he said weakly. “I like it here, I want to stay here. I’ve worked, I’ve got money. I look all right, don’t I? And I don’t want to go back!”

  “I’m sorry, Mr. Ramirez,” she said. “I wish there was something I could do.”

  “Mrs. O’Brian!” he cried suddenly, tears rolling out from under his eyelids. He reached out his hand and took her hand fervently, shaking it, wringing it, holding to it. “Mrs. O’Brian, I see you never, I see you never!”

  The policemen smiled at this, but Mr. Ramirez did not notice it, and they stopped smiling very soon.

  “Good-by, Mrs. O’Brian. You have been good to me. Oh, good-by, Mrs. O’Brian. I see you never!”

  The policemen waited for Mr. Ramirez to turn, pick up his suitcase, and walk away. Then they followed him, tipping their caps to Mrs. O’Brian. She watched them go down the porch steps. Then she shut the door quietly and went slowly back to her chair at the table. She pulled the chair out and sat down. She picked up the shining knife and fork and started once more upon her steak.

  “Hurry up, Mom,” said one of the sons. “It’ll be cold.”

  Mrs. O’Brian took one bite and chewed on it for a long, slow time; then she stared at the closed door. She laid down her knife and fork.

  “What’s wrong, Ma?” asked her son.

  “I just realized,” said Mrs. O’Brian—she put her hand to her face—“I’ll never see Mr. Ramirez again.”

  Embroidery

  The dark porch air in the late afternoon was full of needle flashes, like a movement of gathered silver insects in the light. The three women’s mouths twitched over their work. Their bodies lay back and then imperceptibly forward, so that the rocking chairs tilted and murmured. Each woman looked to her own hands, as if quite suddenly she had found her heart beating there.

  “What time is it?”

  “Ten minutes to five.”

  “Got to get up in a minute and shell those peas for dinner.”

  “But—” said one of them.

  “Oh yes, I forgot. How foolish of me.... ” the first woman paused, put down her embroidery and needle, and looked through the open porch door, through the warm interior of the quiet house, to the silent kitchen. There upon the table, seeming more like symbols of domesticity than anything she had ever seen in her life, lay the mound of fresh-washed peas in their neat, resilient jackets, waiting for her fingers to bring them into the world.

  “Go hull them if it’ll make you feel good,” said the second woman.

  “No,” said the first. “I won’t. I just won’t.”

  The third woman sighed. She embroidered a rose, a leaf, a daisy on a green field. The embroidery needle rose and vanished.

  The second woman was working on the finest, most delicate piece of embroidery of them all, deftly poking, finding, and returning the quick needle upon innumerable journeys. Her quick black glance was on each motion. A flower, a man, a road, a sun, a house; the scene grew under hand, a miniature beauty, perfect in every threaded detail.

  “It seems at times like this that it’s always your hands you turn to,” she said, and the others nodded enough to make the rockers rock again.

  “I believe,” said the first lady, “that our souls are in our hands. For we do everything to the world with our hands. Sometimes I think we don’t use our hands half enough; it’s certain we don’t use our heads.”

  They all peered more intently at what their hands were doing. “Yes,” said the third lady, “when you look back on a whole lifetime, it seems you don’t remember faces so much as hands and what they did.”

  They recounted to themselves the lids they had lifted, the doors they had opened and shut, the flowers they had picked, the dinners they had made, all with slow or quick fingers, as was their manner or custom. Looking back, you saw a flurry of hands, like a magician’s dream, doors popping wide, taps turned, brooms wielded, children spanked. The flutter of pink hands was the only sound; the rest was a dream without voices.

  “No supper to fix tonight or tomorrow night or the next night after that,” said the third lady.

  “No windows to open or shut.”

  “No coal to shovel in the basement furnace next winter.”

  “No papers to clip cooking articles out of.”

  And suddenly they were crying. The tears rolled softly down their faces and fell into the material upon which their fingers twitched.

  “This won’t help things,” said the first lady at last, putting the back of her thumb to each under-eyelid. She looked at her thumb and it was wet.

  “Now look what I’ve done!” cried the second lady, exasperated. The others stopped and peered over. The second lady held out her embroidery. There was the scene, perfect except that while the embroidered yellow sun shone down upon the embroidered green field, and the embroidered brown road curved toward an embroidered pink house, the man standing on the road had something wrong with his face.

  “I’ll just have to rip out the whole pattern, practically, to fix it right,” said the second lady.

  “What a shame.” They all stared intently at the beautiful scene with the flaw in it.

  The second lady began to pick away at the thread with her little deft scissors flashing. The pattern came out thread by thread. She pulled and yanked, almost viciously. The man’s face was gone. She continued to seize at the threads.

  “What are you doing?” asked the other women.

  They leaned and saw what she had done.

  The man was gone from the road. She had taken him out entirely.

  They said nothing but returned to their own tasks.

  “What time is it?” asked someone.

  “Five minutes t
o five.”

  “Is it supposed to happen at five o’clock?”

  “Yes.”

  “And they’re not sure what it’ll do to anything, really, when it happens?”

  “No, not sure.”

  “Why didn’t we stop them before it got this far and this big?”

  “It’s twice as big as ever before. No, ten times, maybe a thousand.”

  “This isn’t like the first one or the dozen later ones. This is different. Nobody knows what it might do when it comes.”

  They waited on the porch in the smell of roses and cut grass. “What time is it now?”

  “One minute to five.”

  The needles flashed silver fire. They swam like a tiny school of metal fish in the darkening summer air.

  Far away a mosquito sound. Then something like a tremor of drums. The three women cocked their heads, listening.

  “We won’t hear anything, will we?”

  “They say not.”

  “Perhaps we’re foolish. Perhaps we’ll go right on, after five o’clock, shelling peas, opening doors, stirring soups, washing dishes, making lunches, peeling oranges.... ”

  “My, how we’ll laugh to think we were frightened by an old experiment!” They smiled a moment at each other.

  “It’s five o’clock.”

  At these words, hushed, they all busied themselves. Their fingers darted. Their faces were turned down to the motions they made. They made frantic patterns. They made lilacs and grass and trees and houses and rivers in the embroidered cloth. They said nothing, but you could hear their breath in the silent porch air.

  Thirty seconds passed.

  The second woman sighed finally and began to relax.

  “I think I just will go shell those peas for supper,” she said. “I—”

  But she hadn’t time even to lift her head. Somewhere, at the side of her vision, she saw the world brighten and catch fire. She kept her head down, for she knew what it was. She didn’t look up, nor did the others, and in the last instant their fingers were flying; they didn’t glance about to see what was happening to the country, the town, this house, or even this porch. They were only staring down at the design in their flickering hands.