The Toynbee Convector Page 4

  “Hamlet!” she cried, “his father, yes? A Christmas Carol. Four ghosts! Wuthering Heights. Kathy returns, yes? To haunt the snows? Ah, The Turn of the Screw, and ... Rebecca! Then—my favorite! The Monkey’s Paw! Which?”

  But the Orient ghost said not a Marley word. His eyes were locked, his mouth sewn with icicles.

  “Wait!” she cried.

  And opened the first book...

  Where Hamlet stood on the castle wall and heard his ghost-of-a-father moan and so she said these words:

  “ ‘Mark me... my hour is almost come... when I to sulphurous and tormenting flames... must render up myself…’ ”

  And then she read:

  “ ‘I am thy father’s spirit,/Doomed for a certain term to walk the night’ ”

  And again:

  “ ‘... If thou didst ever thy dear father love... O, God!... Revenge his foul and most unnatural murder.’ ”

  And yet again:

  “ ‘... Murder most foul...’ ”

  And the train ran in the night as she spoke the last words of Hamlet’s father’s ghost:

  “ ‘... Fare thee well at once...’ ”

  “ ‘... Adieu, adieu! Remember me.’ ”

  And she repeated:

  “ ‘... remember me!’ ”

  And the Orient ghost quivered. She pretended not to notice but seized a further book:

  “ ‘... Marley was dead, to begin with…’ ”

  As the Orient train thundered across a twilight bridge above an unseen stream. Her hands flew like birds over the books. “ ‘I am the Ghost of Christmas Past!’ ”

  Then:

  “ ‘The Phantom Rickshaw glided from the mist and clop-clopped off into the fog—’ ”

  And wasn’t there the faintest echo of a horse’s hooves behind, within the Orient ghost’s mouth?

  “ ‘The beating beating beating, under the floorboards of the Old Man’s Telltale Heart!’” she cried, softly.

  And there! like the leap of a frog. The first faint pulse of the Orient ghost’s heart in more than an hour. The Germans down the corridor fired off a cannon of disbelief.

  But she poured the medicine:

  “ ‘The Hound bayed out on the Moor—’”

  And the echo of that bay, that most forlorn cry, came from her traveling companion’s soul, wailed from his throat.

  As the night grew on and the moon arose and a Woman in White crossed a landscape, as the old nurse said and told, and a bat that became a wolf that became a lizard scaled a wall on the ghastly passenger’s brow.

  And at last the train was silent with sleeping, and Miss Minerva Halliday let the last book drop with the thump of a body to the floor.

  “Requiescat in pace?” whispered the Orient traveler, eyes shut.

  “Yes.” She smiled, nodding. “Requiescat in pace.”

  And they slept. And at last they reached the sea.

  * * *

  And there was mist, which became fog, which became scatters of rain, like a proper drench of tears from a seamless sky.

  Which made the ghastly passenger open, ungum his mouth, and murmur thanks for the haunted sky and the shore visited by phantoms of tide as the train slid into the shed where the mobbed exchange would be made, a full train becoming a full boat.

  The Orient ghost who stood well back, the last figure on a now self-haunted train. “Wait,” he cried, softly, piteously. “That boat! There’s no place on it to hide! And the customs!”

  But the customs men took one look at the pale face snowed under the dark cap and earmufis, and swiftly flagged the wintry soul onto the ferry.

  To be surrounded by dumb voices, ignorant elbows, layers of people shoving as the boat shuddered and moved and the nurse saw her fragile icicle melt yet again.

  It was a mob of children shrieking by that made her say: “Quickly!” And she all but lifted and carried the wicker man in the wake of the boys and girls.

  “No,” cried the old passenger. “The noise!”

  “It’s special!” The nurse hustled him through a door. “A medicine! Here!” The old man stared around. “Why,” he murmured. “This is—a playroom.” And she steered him into the midst of all the screams and running.

  “Children!” she called.

  The children froze.

  “Story-telling time!”

  They were about to run again when she added, “Ghost story-telling time!” She pointed casually to the ghastly passenger, whose pale moth fingers grasped the scarf about his icy throat.

  “All fell down!” said the nurse.

  The children plummeted with squeals to the floor. All about the Orient traveler, like Indians around a tepee, they stared up along his body to where blizzards ran odd temperatures in his gaping mouth.

  He wavered. She quickly said:

  “You do believe in ghosts, yes?”

  “Oh, yes!” was the shout. “Yes!”

  It was as if a ramrod had shot up his spine. The Orient traveler stiffened. The most brittle of tiny flinty sparks fired his eyes. Winter roses budded in his cheeks. And the more the children leaned, the taller he grew, and the warmer his complexion. With one icicle finger he pointed at their faces.

  “I,” he whispered, “I,” a pause. “Shall tell you a frightful tale. About a real ghost!”

  “Oh, yes!” cried the children.

  And he began to talk and as the fever of his tongue conjured fogs, lured mists and invited rains, the children hugged and crowded close, a bed of charcoals on which he happily baked. And as he talked Nurse Halliday, backed off near the door, saw what he saw across the haunted sea, the ghost cliffs, the chalk cliffs, the safe cliffs of Dover and not so far beyond, waiting, the whispering towers, the murmuring castle deeps, where phantoms were as they had always been, with the still attics waiting. And staring, the old nurse felt her hand creep up her lapel toward her thermometer. She felt her own pulse. A brief darkness touched her eyes.

  And then one child said: “Who are you?”

  And gathering his gossamer shroud, the ghastly passenger whetted his imagination, and replied.

  It was only the sound of the ferry landing whistle that cut short the long telling of midnight tales. And the parents poured in to seize their lost children, away from the Orient gentleman with the ghastly eyes whose gently raving mouth shivered their marrows as he whispered and whispered until the ferry nudged the dock and the last boy was dragged, protesting, away, leaving the old man and his nurse alone in the children’s playroom as the ferry stopped shuddering its delicious shudders, as if it had listened, heard, and deliriously enjoyed the long-before-dawn tales.

  At the gangplank, the Orient traveler said, with a touch of briskness, “No. I’ll need no help going down. Watch!”

  And he strode down the plank. And even as the children had been tonic for his color, height, and vocal cords, so the closer he came to England, pacing, the firmer his stride, and when he actually touched the dock, a small happy burst of sound erupted from his thin lips and the nurse, behind him, stopped frowning, and let him run toward the train.

  And seeing him dash, like a child before her, she could only stand, riven with delight and something more than delight And he ran and her heart ran with him and suddenly knew a stab of amazing pain, and a lid of darkness struck her and she swooned.

  Hurrying, the ghastly passenger did not notice that the old nurse was not beside or behind him, so eagerly did he go.

  At the train he gasped, “There!” safely grasping the compartment handle. Only then did he sense a loss, and turned.

  Minerva Halliday was not there.

  And yet, an instant later, she arrived, looking paler than before, but with an incredibly radiant smile. She wavered and almost fell. This time it was he who reached out.

  “Dear lady,” he said, “you have been so kind.”

  “But,” she said, quietly, looking at him, waiting for him to truly see her, “I am not leaving.”

  “You...?”

  “I am goi
ng with you,” she said. “But your plans?”

  “Have changed. Now, I have nowhere else to go.”

  She half-turned to look over her shoulder.

  At the dock, a swiftly gathering crowd peered down at

  someone lying on the planks. Voices murmured and cried out. The word “doctor” was called several times.

  The ghastly passenger looked at Minerva Halliday. Then he looked at the crowd and the object of the crowd’s alarm lying on the dock: a medical thermometer lay bro ken under their feet. He looked back at Minerva Halliday, who still stared at the broken thermometer.

  “Oh, my dear kind lady,” he said, at last. “Come.”

  She looked into his face. “Larks?” she said.

  He nodded and said, “Larks!”

  And he helped her up into the train, which soon jolted and then dinned and whistled away along the tracks toward London and Edinburgh and moors and castles and dark nights and long years.

  “I wonder who she was?” said the ghastly passenger looking back at the crowd on the dock.

  “Oh, Lord,” said the old nurse. “I never really knew.”

  And the train was gone.

  It took a full twenty seconds for the tracks to stop trembling.

  One Night in Your Life

  He came into Green River, Iowa, on a really fine late spring morning, driving swiftly. His convertible Cadillac was hot in the direct sun outside the town, but then the green overhanging forests, the abundances of soft shade and whispering coolness slowed his car as he moved toward the town.

  Thirty miles an hour, he thought, is fast enough.

  Leaving Los Angeles, he had rocketed his car across burning country, between stone canyons and meteor rocks, places where you had to go fast because everything seemed fast and hard and clean.

  But here, the very greenness of the air made a river through which no car could rush. You could only idle on the tide of leafy shadow, drifting on the sunlight-speckled concrete like a river barge on its way to a summer sea.

  Looking up through the great trees was like lying at the bottom of a deep pool, letting the tide drift you. He stopped for a hotdog at an outdoor stand on the edge of town.

  “Lord,” he whispered to himself, “I haven’t been back through here in fifteen years. You forget how fast trees can grow!”

  He turned back to his car, a tall man with a sunburnt, wry, thin face, and thinning dark hair. Why am I driving to New York? he wondered. Why don’t I just stay and drown myself here, in the grass. He drove slowly through the old town. He saw a rusty 36 train abandoned on an old side-spur track, its whistle long silent, its steam long gone. He watched the people moving in and out of stores and houses so slowly they were under a great sea of clean warm water. Moss was everywhere, so every motion came to rest on softness and silence. It was a barefoot Mark Twain town, a town where childhood lingered without anticipation and old age came without regret. He snorted gently at himself. Or so it seemed.

  I’m glad Helen didn’t come on this trip, he thought. He could hear her now: “My God, this place is small. Good grief, look at those hicks. Hit the gas. Where in hell is New York?” He shook his head, closed his eyes, and Helen was in Reno. He had phoned her last night.

  “Getting divorced’s not bad,” she’d said, a thousand miles back in the heat. “It’s Reno that’s awful. Thank God for the swimming pool. Well, what are you up to?”

  “Driving east in slow stages.” That was a lie. He was rushing east like a shot bullet, to lose the past, to tear away as many things behind him as he could leave. “Driving’s fan.”

  “Fun?” Helen protested. “When you could fly? Cars are so boring.”

  “Goodbye, Helen.”

  He drove out of town. He was supposed to be in New York in five days to talk over the play he didn’t want to write for Broadway, in order to rush back to Hollywood in time to not enjoy finishing a screenplay, so that he could rush to Mexico City for a quick vacation next December. Sometimes, he mused, I resemble those Mexican rockets dashing between the town buildings on a hot wire, bashing my head on one wall, turning, and zooming back to crash against another.

  He found himself going seventy miles an hour suddenly, and cautioned it down to thirty-five, through rolling green noon country.

  He took deep breaths of the clear air and pulled over to the side of the road. Far away, between immense trees, on the top of a meadow hill, he thought he saw, walking but motionless in the strange heat, a young woman, and then she was gone, and he wasn’t certain she had been there at all.

  It was one o’clock and the land was full of a great powerhouse humming. Darning needles flashed by the car windows, like prickles of heat before his eyes. Bees swarmed and the grass bent under a tender wind. He opened the car door and stepped out into the straight heat.

  Here was a lonely path that sang beetle sounds at late noon to itself, and there was a cool, shadowed forest waiting fifty yards from the road, from which blew a good, tunnel-moist air. On all sides were rolling clover hills and an open sky. Standing there, he could feel the stone dissolve in his arms and his neck, and the iron go out of his cold stomach, and the tremor cease in his fingers.

  And then, suddenly, still further away, going over a forest hill, through a small rift in the brush, he saw the young woman again, walking and walking into the warm distances, gone.

  He locked the car door slowly. He struck off into the forest, idly, drawn steadily by a sound that was large enough to fill the universe, the sound of a river going somewhere and not caring; the most beautiful sound of all.

  When he found the river it was dark and light and dark and light, flowing, and he undressed and swam in it and then lay out on the pebbled bank drying, feeling relaxed. He put his clothes back on, leisurely, and then it came to him, the old desire, the old dream, when he was seventeen years old. He had often confided and repeated it to a friend:

  “I’d like to go walking some spring night—you know, one of those nights that are warm all night long. I’d like to walk. With a girl. Walk for an hour, to a place where you can barely hear or see anything. Climb a hill and sit Look at the stars. I’d like to hold the girl’s hand. I’d like to smell the grass and the wheat growing in the fields, and know I was in the center of the entire country, in the very center of the United States, and towns all around and highways away off, but nobody knowing we’re right there on top of that hill, in the grass, watching the night.

  “And just holding her hand would be good. Can you understand that? Do you know that holding someone’s hand can be the thing? Such a thing that your hands move while not moving. You can remember a thing like that, rather than any other thing about a night, all your life. Just holding hands can mean more. I believe it. When everything is repeated, and over, and familiar, it’s the first things rather than the last that count.

  “So, for a long time,” he had continued, “I’d like to just sit there, not saying a word. There aren’t any words for a night like that. We wouldn’t even look at each other. We’d see the lights of the town far off and know that other people had climbed other hills before us and that there was nothing better in the world. Nothing could be made better; all of the houses and ceremonies and guarantees in the world are nothing compared to a night like this. The cities and the people in the rooms in the houses in those cities at night are one thing; the hills and the open air and the stars and holding hands are something else.

  “And then, finally, without speaking, the two of you will turn your heads in the moonlight and look at each other.

  “And so you’re on the hill all night long. Is there anything really wrong with this, can you honestly say there is anything wrong?”

  “No,” said a voice, “the only thing wrong on a night like that is that there is a world and you must come back to it.”

  That was his friend, Joseph, speaking, fifteen years ago. Dear Joseph, with whom he had talked so many days through; their adolescent philosophizings, their problems of great import
. Now Joseph was married and swallowed by the black streets of Chicago, and himself taken West by time, and all of their philosophy for nothing.

  He remembered the month after he had married Helen. They had driven across country, the first and last time she had consented to the “brutal,” as she called it, journey by automobile. In the moonlit evenings they had gone through the wheat country and the corn country of the Middle West and once, at twilight, looking straight ahead, Thomas had said, “What do you say, would you like to spend the night out?’’

  “Out?” Helen said.

  “Here,” he said, with a great appearance of casualness. He motioned his hand to the side of the road. “Look at all that land, the hills. It’s a warm night. It’d be nice to sleep out.”

  “My God!” Helen had cried. “You’re not serious?”

  “I just thought.”

  “The damn country’s running with snakes and bugs.

  What a way to spend the night, getting burrs in my stockings, tramping around some fanner’s property.”

  “No one would ever know.”

  “But I’d know, my dear,” said Helen.

  “It was just a suggestion.”

  “Dear Tom, you were only joking, weren’t you?”

  “Forget I ever said anything,” he said.

  They had driven on in the moonlight to a boiling little night motel where moths fluttered about the raw electric lights. There had been an iron bed in a paint-smelling tiny room where you could hear the beer tunes from the roadhouse all night and hear the continental vans pounding by late, late toward dawn….

  He walked through the green forest and listened to the various silences there. Not one silence, but several; the silence that the moss made underfoot, the silence the shadows made depending from the trees, the silence of small streams exploring tiny countries on all sides as he came into a clearing.

  He found some wild strawberries and ate them. To hell with the car, he thought. I don’t care if someone takes it apart wheel by wheel, and carries it off. I don’t care if the sun melts it into slag on the spot.

  He lay down and cradled his head on his arms and went to sleep.